It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able
to lead us in a discussion of them with passion and great insight.
This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music''s structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the
different editions. But his book further traces the development of Beethoven''s style and that of the symphony over the 24 years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the ''Choral'', one of the greatest masterpieces of the
symphonic form. Del Mar is thus able to speak to all devotees of Beethoven''s symphonic output, and enhance our appreciation of these works.
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Conducting Beethoven: Volume 1: The Symphonies: Conducting Beethoven
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Conducting Beethoven: Volume 1: The Symphonies: Conducting Beethoven
Dimensions :
5.433070866" W x
0.708661417" L x
8.503937007" H
The late Norman Del Mar was an eminent orchestral conductor with over 40 years experience. He also taught conducting at the Guildhall School of Music (1954-60) and at the Royal College of Music (1971-90).
''Del Mar modestly and successfully presents some of the issues facing a conductor in each symphony. His experience asa professional player and conductor, and his distinguished record as a teacher, ideally qualify him for the task. The quality of the book is in Del Mar''s generous dissemination
of his cast experience of practical music, in combination with his considerable experience as a writer ... Warnings of problems and various tips and alternatives abound, showing great professional attention to detail. His knowledge of discrepancies between various editions of scores and orchestral
parts, and his understanding of the autograph scores, is invaluable. Also striking is his great sensitivity to players.''
Brio, Autumn/Winter 1993, Vol. 30, No. 2
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