Cultural Icons

Édition David Scott , Keyan G. Tomaselli
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Cultural Icons

Édition David Scott , Keyan G. Tomaselli
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168 PAGESANGLAIS

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  • Date de publication : Aug 15, 2009
  • Langue : anglais
  • Nombre de pages : 168
  • Éditeur : Taylor & Francis
  • ISBN : 9781598743654
  • Dimensions : 6.1" W x 0.6" L x 9.1" H
Keyan Tomaselli is Professor and Chair of Culture, Communication and Media Studies at the University of Kwazulu-Natal, Durban, South Africa. He is author of numerous papers and books on African cultural and media studies. Professor Tomaselli co-edits two book series on the African media-- Studies on the Southern African Media and Critical Studies on African Media and Culture-- and is the editor-in-chief of Critical Arts: a journal of south-north cultural and media studies.David Scott holds a personal chair in French (Textual and Visual Studies) at Trinity College Dublin. His books include Pictorialist Poetics (Cambridge UP 1988), Paul Delvaux (Reaktion Books 1992), European Stamp Design: a semiotic approach (Academy Editions 1995), and Semiologies of Travel (Cambridge UP, 2004). He is currently writing books entitled Figures de l'affiche / Poetics of the Poster and Boxing: Art and Aesthetics.
"This is a readable and useful volume that covers a range of topics. . . the book makes a contribution to an interesting field that will no doubt become even more important as the visuality of culture continues to take central stage. . . . The editors of Cultural icons have collated a number of essays that deal with a variety of international icons that have accrued distinct cultural meanings. Although the origins of the icons discussed can be located in diverse places such as South Africa, Denmark, France, Norway, Austria and Britain, it is clear that the iconicity that the various authors examine transcends borders. Indeed, one of the strong points of this volume is the way in which the authors demonstrate how localised cultural icons are taken up, mediated, appropriated and even recontextualized. Not only have the cultural icons discussed here become potent intertexts, but they have also become part of the network of significations that characterise contemporary westernised society. Another laudable aspect of this book is that the authors have provided thorough historical contexts for their semiotic unpacking of the cultural icons, thereby adding to the academic rigour and value of the project."

-Jeanne van Eeden, Visual Anthropology

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