The Frankenstein of DC and Marve
"I’ll admit it—DC Versus Marvel: The Amalgam Age Omnibus wasn’t an instant purchase for me. This crossover came out during a period when I had stepped away from comics entirely. The mid-90s felt like a low point for the industry—overproduced, gimmicky, and hollow. I wasn’t the audience Marvel and DC were chasing at the time. But now, nearly 30 years later, the kid inside me was too curious to resist. I already had the DC Versus Marvel Omnibus, and this felt like the Frankenstein’s monster stitched together from its leftover parts. Weird, awkward… but strangely appealing. If you ask me, DC and Marvel hook us with the sheer chaos of the concepts. Superman becomes a Herald of Galactus. Wonder Woman fights Storm. Jubilee and Robin go on a date. Lobo takes down Wolverine. The Batman and Wolverine mashup, Dark Claw, clashes with the fusion of Joker and Sabretooth, Hyena. These are the kinds of ideas that sound like playground arguments turned real, and that’s part of the charm. If you’re picking this up for deep storytelling or classic arcs, manage your expectations. The real draw here is the novelty—and even more so, the art. This collection is a playground for artists. Kevin Nowlan’s inks over José Luis García-López’s pencils in Dr. Strangefate are a standout, elevating the surreal vibe of that story. You also get Gary Frank on Super Soldier, Dave Gibbons on Iron Lantern, and Bill Sienkiewicz letting loose on Assassins. Even the animated-style Dark Claw Adventures embraces the absurdity with flair. There’s also a healthy stack of bonus content at the back: behind-the-scenes sketches, concept art, and those long-lost alternate endings to the DC vs. Marvel battles. Not every one-shot lands, and a couple are noticeably absent, but the book as a whole is a gorgeous and grotesque patchwork science experiment—a comic book curiosity resurrected from the longboxes of the '90s and stitched together with equal parts nostalgia and absurdity."