Jennie

Douglas Preston
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Jennie

Douglas Preston
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302 PAGESANGLAIS

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  • Date de publication : Feb 21, 2006
  • Langue : anglais
  • Nombre de pages : 302
  • Éditeur : Tom Doherty Associates
  • ISBN : 9780765315618
  • Dimensions : 5.5" W x 0.9" L x 8.2" H
Douglas Preston is the co-author with Lincoln Child of the celebrated Pendergast series of novels, including such best-selling titles as Fever Dream, The Book of the Dead, The Wheel of Darkness, and Relic, which became a number one box office hit movie. His solo novels include the New York Times bestsellers Impact, Blasphemy, The Codex, and Tyrannosaur Canyon. His nonfiction book The Monster of Florence is being made into a film starring George Clooney. Preston is an expert long-distance horseman, a member of the elite Long Riders Guild, and a Fellow of the Royal Geographical Society. He has traveled to remote parts of the world as an archaeological correspondent for The New Yorker. He also worked as an editor and writer at the American Museum of Natural History in New York and taught nonfiction writing at Princeton University. Preston is the Co-president of International Thriller Writers, and serves on the Governing Council of the Authors Guild.

"Engaging and touching . . . A remarkable book." -The Denver Post on Jennie

"Brilliant and complex. Jennie is a dazzling fiction debut." -Los Angeles Times

"A poignant, thought-provoking story." -The Wall Street Journal

"A haunting account of the nebulous line between man and animal. . . . Tragic, dark, irresistible." -Boston Herald

"I love Jennie, the book and the chimp . . . a very remarkable person and a very important book." -Jane Goodall, bestselling author of In the Shadow of Man

"An amazing story." -Entertainment Weekly

"Engrossing story of a chimp experiment . . . Jennie is a believable character, both hilarious and heart-breaking." -Cleveland Plain Dealer

"An enchanting morality tale in which genes and evolution replace fates of ancient tragedy. . . . Preston sticks to scientific fact and so it''s to his credit that he reader finds himself asking ''Is Jennie human?'' and to the end is never convinced that she is not." -Dallas Morning News

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