In this book, Spence critiques the tendencies of contemporary theater critics, both in the mainstream press and among intellectual circles, exploring how their opinions affected the success or failure of plays, actors, and playwrights. He touches on the relationship between the theater and the public, arguing that critics often wield disproportionate influence over the artistic direction of theater, sometimes to the detriment of creativity and innovation. Spence suggests that the theater, as an art form, should be more responsive to the tastes of audiences, rather than to the often narrow and overly judgmental perspectives of critics.Our Stage and Its Critics is both a commentary on the theater of Spence’s time and a broader reflection on the dynamics between artists, critics, and audiences. It provides valuable insight into the Victorian era’s theatrical culture, offering a critique of the role of criticism and its impact on the development of modern drama. Through his sharp observations, Spence urges a reevaluation of the critics’ influence and advocates for a more open, diverse, and audience-centered approach to theater.